Diploma in fashion styling

Diploma in fashion styling

Course details

All the fashion media and communication courses are based in Lime Grove, which means that every student can benefit from the skills of students on complementary courses. The importance of teamwork will be explored through collaborative projects that you will undertake, and you also work independently to develop your skills and personal style in preparation for the industry. You will acquire the practical skills of styling and production, together with broader academic studies which give you a contemporary and historical understanding of your creative discipline within the wider perspectives of fashion, society and the environment. This will integrate the practical and theoretical aspects of your learning. You will also learn research skills, both visual and academic, which will underpin your creative practice and develop your analytical skills and critical awareness, in readiness for the two major assignments that you will undertake in your final year. Contact with the industry throughout the course increases your opportunities for employment after graduation, as does the opportunity to attend workshops to hone your skills in preparing for employment.

Course structure

The academic year for this course is divided into Block 1 and Block 2.

Block 1 is of 15 weeks’ duration from late September to February. In accordance with the University timetable, there will be a four week holiday in December.

Block 2 is also of 15 weeks’ duration from mid-February to the end of June with a four week holiday for Easter.

Year one

  • Introduction to Fashion Styling and Production
  • Key Concepts in Styling and Production
  • Introduction to Cultural and Historical Studies
  • Better Lives
  • Collaborative Practice: Fashion Spreads

Year two

  • Cultural and Historical Studies
  • Mediating Fashion
  • Option: Situating Your Practice unit
  • The Fashion Consultant

Year three

  • Collaborative Experimental Practice
  • Cultural and Historical Studies Dissertation
  • Personal and Professional Project

Students on this course might be invited to participate in study trips. This may involve, for example, visits to key areas of capital cities, factories, stores and museums. Attendance on these trips is not compulsory but recommended. Details regarding timings and costs will be issued closer to the relevant trips.

Contact us

To register your interest and receive information and updates about studying at UAL, please complete this form.

If you can’t find the information you’re looking for or to ask a question, please contact us.

Course units

Year one

Introduction to Fashion Styling and Production unit aims to introduce you to your course and its subject specialism as well as to effective learning and studentship at undergraduate level. It will orientate you to the practices and knowledge base needed to understand your discipline and help you to develop your skills for independent & collaborative learning, reflection and your own self-development. Students come from many diverse educational backgrounds and a part of this unit will enable to reflect on your own background and how that shapes the way you approach to your course.

This unit has three core purposes:

  • to introduce you to your discipline in the context of study at a Higher Education level;
  • to introduce you to learning skills and the requirements of effective studentship at undergraduate level;
  • to orientate you within your course, the College and the University.

Emphasis is placed on the skills needed to locate, navigate and communicate information and ideas effectively and appropriately. You will be introduced to resources that support your studies. We will also discuss studentship, the importance of being an engaged and participatory member of the group and your own personal and professional development.

In Key Concepts in Styling and Production unit, contemporary fashion productions are explored and defined in relation to the respective roles of stylist and producer. This unit will introduce you to these roles and will explore the disciplines and conventions associated with their contemporary practices. The unit will consider key concepts and principles of fashion styling and production, and how conceptual fashion narratives are constructed in relation to various formats such as the fashion editorial, film, zine, and other multi-faceted fashion platforms.

Fashion styling languages and processes are examined in order to understand fashion themes and codes of dressing within historical and contemporary contexts. Sustainable thinking within fashion production will be explored via the use of materials, clothing, props and accessories. During the course of the unit, you will experiment with the language of fashion and its conceptual applications, and the variety of contexts, audiences, and platforms available to you in industry.

Introduction to Cultural and Historical Studies introduces the Cultural and Historical Studies approach to fashion and related areas. The unit provides a broad overview of the subject and introduces key concepts and ways of thinking that will form the basis of subsequent study. It will also inform decisions regarding the Cultural and Historical Studies unit that is chosen for future study.

The Collaborative Practice: Fashion Spreads unit will emphasise the interdisciplinary and collaborative nature inherent in contemporary fashion media practice. The editorial format will be the focus for this unit, as an opportunity to communicate specific contemporary narratives for fashion consumption that are: conceptualised, constructed, art directed, and resolved through collective enterprise and cooperation.

Collaborative practice will be required to conceive and construct fashion narratives in relation to the editorial format. You will explore the impact of fashion image in a print/online magazine context and how this is disseminated and received for a diverse audience and in a global context. Utilising teamwork to create contemporary fashion stories you will consider the overlapping roles and responsibilities of each specialism within Fashion Media practice.

Better Lives

London College of Fashion, UAL (LCF) is a leader in fashion design, media and business education. We have been nurturing creative talent for over a century, offering courses in all things fashion. We encourage students to examine the past and challenge the present. To have inventive, assertive ideas that challenge social and political agendas. We give students the skills, opportunities – and above all, the freedom – to put those ideas into practice. By leading the way in fashion design, business, and the media, we influence culture, economics and our society.This unit will provide you with a solid understanding of LCF’ core values and how they connect to your practice. As part of this unit you will explore diversity, social responsibility and sustainability, themes which you will then apply to a selected project. At this stage the emphasis is on how you apply your thinking across these important themes to your practice. Your thinking is more important than a finished piece of work at this point.Fashion can change lives. Through teaching, specialist research, and collaborative work, this unit will get you thinking differently. We want you to use fashion to examine the past, build a sustainable future and improve the way we live. That’s why we call this unit ‘Better Lives’.

Year two

In the first term you will be able to study a Cultural and Historical Studies unit of your choice that will broaden or deepen your learning of areas relating to your interests in your chosen field. You will have the opportunity to participate in lectures, seminars and workshops with students from other courses within your School, and will read relevant academic texts and complete a formal academic essay for assessment.

Also studied in the first term is the Mediating Fashion unit. Contemporary fashion media has seen fashion styling and creative production venturing from traditional magazine and print platforms and embracing new technologies, specifically moving image practice. Film and its visual language has exerted a powerful influence on the concept and creation of fashion imagery, with moving image formats becoming a central vehicle for fashion expression and communication within contemporary styling and production. In addition, engaging with new technologies provides fertile territory for exploration to those that mediate fashion, style and culture, through the discipline of creative fashion production.

This unit will offer you the opportunity to understand the stylist and fashion producer’s tools and processes in the context of moving image practice and visual storytelling. An understanding of ethics and diversity within moving image practice will be a crucial starting point for the development of your fashion narrative. Creative direction and production are explored in accordance with new and emerging communication channels and through the development of core technical skills. This process will enable you to adopt an experimental approach so you can unify your creative production and align it to site and context.

Situating Your Practice unit

Fashioned Spaces

This unit will offer an opportunity to reflect on your developing practice, and consider how your work is situated with regards to contemporary fashion image making, and dissemination. The unit will offer you the opportunity to showcase your specialist creative practice, and curate, produce and display your innovative body of work within a specific context. The unit also offers the opportunity for collaborative practice and consideration of audience and context.

Media Placement

This unit aims to develop your professional skills within an industry environment. On your placement you will be able to experience the pace, atmosphere and discipline of working in the industry. This will give you practical experience of the roles, functions and operations within the industry. The unit requires a minimum of 60 work placement hours.

LCF Careers provide career guidance and one to one opportunities starting in your first year at LCF, to help you plan ahead and prepare for your work experience. You will be expected to engage and be proactive in securing your own work experience and one that is suitable to your own personal development, skills, course requirements and career aspirations. This means producing an updated CV and directly applying to companies for work experience using LCF CAREERS LIVE, LCF’s own job board, as well as other resources. You will also be expected to feedback on your work experience after your work experience.

International Study

This unit provides an opportunity to apply previous learning whilst studying your subject in a different institution. You will develop skills within your practice and gain credits for your current course whilst engaging with the academic culture of your host institution. The unit also demands a critical approach to the management of your own learning through reflection and planning. Please check with the Exchange and Mobility Officer for an up-to date list of partnerships for your programme. Students studying at a partner institution in Europe for a minimum period of three months (approx. 12 weeks) will be eligible for the Erasmus+ grant. We are unable to guarantee that every course will have an agreement with a partner host institution.  As such, this unit is subject to availability. There will be a selection and application process for students who are interested in applying to take this unit of study.

The Fashion Consultant unit looks at how fashion consultants deploy skills of both styling and production to enhance and drive the visual concept and realisation of a client or brand. This involves using skills of creative direction to expand upon the core ethos and values of a brand to create for them a consolidated vision. A fashion consultant’s value is in their ability to work as cultural connectors and creative translators of ideas in relation to product, production, and image. They produce work in collaborative mode with a varied creative community, to deliver their vision within diverse contexts.  This unit will develop your understanding of how fashion consultants are expected to operate within an industry context by introducing you to this context of practice.  You will be required to respond to a contemporary brand or practitioner and create relevant content for this client in the form of a visual portfolio within a fashion context.

Year three

Collaboration and experimentation are essential aspects of the creative process especially with regards to the fashion image industry. The Collaborative Experimental Practice unit will offer you an opportunity to explore and expand the parameters of your work by engaging in collaborations that facilitate experimentation, creative thinking, practical testing and reflective problem solving, all in the context of an industry related brief. Creative outcomes and focused experimentation derived from this unit could inform the process that you explore and expand upon in your Final Major Project next term.

In the first and second terms you will undertake a major piece of written work for the Cultural and Historical Studies Dissertation unit. The overall aim of the dissertation is to provide an opportunity for you to demonstrate your understanding of the critical and analytical perspectives developed within cultural and historical theory and your ability to apply those perspectives in a specific study. You will research a topic of your choice that has relevance to the discipline of cultural and historical studies. This may relate to your course discipline, and should elaborate knowledges developed in prior cultural and historical studies units. You will undertake a substantial piece of structured primary and secondary research that critically engages with cultural issues relating to fashion, the body, performance, or the media and communications industries and which reflects on the critical debates and concerns addressed in your course.

Personal and Professional Project
The Personal and Professional Project unit provides a framework to produce a substantial body of work to an advanced conceptual and technical level, in addition to an industry-ready portfolio.

Showing your work

All students are advised to set up a profile on portfolio.arts.ac.uk, UAL’s new portfolio platform, which can be done at any point during your time at LCF and will last for up to 12 months after graduation. This platform is often used to source student work for promotional use on the website, social media and for print and can be a great way of getting your work seen. You may also be asked to have a portfolio profile for the selection process when it comes to degree shows.

Programme specification

BA-Hons-Fashion-Styling-and-Production-2018-19.pdf (PDF File 149.7 KB)

Autumn term:

Monday 17 September - Monday 7 December 2018

Spring term:

Monday 7 January - Friday 15 March 2019

Summer term:

Monday 15 April - Friday 21 June 2019


Clare Buckley is Course Leader BA (Hons) Fashion Styling and Production and an established fashion stylist and creative director and has worked with the language of clothes, objects and materials within the fashion industry for over ten years as a fashion editor and stylist for publications including Russh, Wallpaper and the Guardian: Weekend magazine In both womenswear and menswear, alongside advertising, music, celebrity and film work. Her interest focuses on curated aesthetic and a colour-based enquiry with an investigation into styling language against multi disciplinary platforms and productions. Her work encourages the sensorial and emotionality of fashion and styling language and the spirit conveyed behind all visual productions and stories against a wider fashion landscape. In collaborative mode her works leads projects for students, staff and Industry as part of a programme of public speaking, workshops and festivals such as EIFF Festival 2016, 2014, Vogue Ukraine Fashion 2016 Business Art & Design Conference and 2014 Linder & Tate St Ives Hepworth & The Arts Ball, alongside collaborating Internationally within styling, art directing and producing fashion editorials. She has styled celebrity clients such as Paloma Faith, Siouxie Sioux, Julie Delphy, David tenant, Sophie Hunt, and Sophie Ellis Bextor. She has over 8 years experience within creative arts higher arts within styling & production. Clare Buckley is the co-author of International styling textbook Basics Fashion Design 08: Styling.

Karen Savage is Senior Lecturer BA Fashion Styling and Production, a designer, stylist, trend forecaster, creative director, blogger and artist with a wealth of experience. Karen came on the scene in the early 1990’s with her own critically-acclaimed fashion label, SAVAGE, garnering extensive media coverage for her controversial slogan t-shirts. Karen has worked with many clients over the years including Absolut Vodka, BBC3, Directory of Social Change, Exposure PR, Hotel Pelirocco, Mobile 3, Nokia, Ogilvy and Mather, Taiwan Textile Federation, The Fawcett Society, The Observer and Traid. She is currently a freelance Creative Director in Print and Licensing for the UK high street and independent market. Karen holds a PG Cert in Teaching and Learning, has been a Visiting Fellow at The Hong Kong Design Institute, and is a recent recipient of the UAL Teaching Award.

Sarah May is Lecturer BA Fashion Styling and Production and fashion set designer, props stylist and artist. Her work focuses on the styled aesthetic and is situated and produced across international multi -platforms. Trained as a Fine Artist specialising in sculpture and installation she has a natural intuition for harmonising elements and for using shape and movement within diverse spatial contexts. Key themes within her practice are based around the physicality of the body, how the body and fashion encounter space and the intimate relationship between materials. Establishing her creative studio in 2007, she has an extensive commercial and editorial client list including British Vogue, Vice, Dazed and Confused, Japanese Vogue, Details, Arena Homme Plus, Camper, Paul Smith, Coca Cola, Selfridges, Nike and American Apparel. She was represented worldwide by Industry Art for eight years and then by The Magnet Agency for two years. Her public speaking, fashion film workshops and charity work clients include The British Council, Its Nice That and Arts Emergency. She has been profiled in numerous magazines and has self published two books. www.sarahmaystudio.com

Philip Scurrah is Lecturer BA Fashion Styling and Production whose fashion styling and photographic portfolio as Fashion Editor and Director at national and international magazine titles range from the pioneering global lifestyle Wallpaper magazine, Fashion Directorship of Selfridges magazine to Fashion Director of independent Australian style bible Russh. His worldwide industry expertise has been garnered for catwalk shows and season presentations throughout Europe, Australia and India. Philip’s extensive styling experience also developed an innovative and integrated approach to contemporary photographic image making. His former photographic partnership with Alessandra Kila, working as ‘Kila & Rusharc’ received universal media coverage, most recently featured in the group exhibition ‘Altering Space’ at The SouthWest School of Art in North America (2014). The practitioners also received a Honorable Mention at the International Photography Awards (2014). Now working independently Philip continues to creatively direct and produce for a range of International clients.

Thom Murphy is Associate Lecturer BA Fashion Styling and Production Thom Murphy is an established Fashion Stylist, Art Director, Brand Consultant and Casting Director - working predominantly within the realm of contemporary men’s fashion. His editorial work - produced in conjunction with photographers such as David Sims and Alasdair McLellan – has been regularly featured within the pages of international, prestigious style publications including, among others: i-D, Dazed, Arena Homme Plus, Another Man and Self Service. In 2009, Thom set up New Power Studio, a Menswear label. New Power Studio designs arise from a mix of conceptual and pop culture-referencing approaches, and combine sportswear and tailoring, turning it into something new and experimental. This has so far encompassed New Power Studio showing on schedule at London Fashion Week’s MAN day across the past six seasons, and being awarded New Generation. His work had also been featured in two books published by Taschen, Fashion Now and Fashion Now 2; he has shown his work at the V&A Museum in London, as part of their Imperfect Beauty exhibition. From the outset of New Power Studio being launched in February 2009, industry support has been substantial and extremely enthusiastic.

Itai Doron is the Programme Director for Fashion Media courses. He is an established photographer with particular interests in fashion, portraiture, social documentary, body politics, identity and queer theory. Working as a lens-based artist since graduation from Goldsmiths College of Art, Itai has twice received the UAL research project award to develop a body of work on immigration, combining social documentary with notions of fashion. Itai has a proven track record of public dissemination of visual and written work through exhibitions, publications, and academic research and was invited to deliver talks and lectures about his research at various international academic conferences. He has exhibited at the White Cube gallery in London, and participated in numerous group and solo exhibitions in the UK, Europe, Japan, Israel and the United States. He has authored a selection of photography books, including End Of Real in 2005, Yassin in 2009, Chokras’ Mahal (Boys' Palace) in 2011, and Fifteen Minutes With You in 2012.

Visiting Practitioners include:

Guest Speakers include:

  • Jenny Dyson- Creative Consultant
  • Bryonny Lloyd- Creative Director, Antenne Books
  • Patrick Waugh- Head of Brand Creative and Content at TopShop and founder of BOYO Studio
  • Patrick Grey- Head of delivery at Wednesday Creative Agency
  • Louise Naunton- Morgan – Co founder of STSQ Design Agency

How to apply

Opportunities for all

We are committed to making university education an achievable option for a wider range of people and seek to recruit students from diverse socio-economic, cultural and educational backgrounds. We are committed to supporting all our students in achieving their potential both during and after their courses.

Applications for 2018/19 entry for this course are now closed. Applications for 2019/20 entry will open in Autumn 2018.

This section includes information on how to apply, course entry requirements, selection criteria, information about interviews and portfolio advice.

You must apply through Universities and Colleges Admissions Service (UCAS), where you’ll need the following information:

  • University code: U65
  • UCAS code: 9L13

Go to ‘Apply’ from the UCAS home page, where you will be able to register and create a password that gives you unique access as you complete your application form.

Contact us on:

Telephone: +44 (0)20 7514 7344

Or you can use this register your interest form

Please note that the equal consideration deadline is 15 January.

For full details on the application process, visit the Undergraduate application page.

Applications for 2018/19 entry for this course are now closed. Applications for 2019/20 entry will open in Autumn 2018.

This section includes information on how to apply, course entry requirements, selection criteria, information about interviews and portfolio advice.

International applicants may apply through one of the following routes:

Further information on applying via UCAS is provided on the Applying through UCAS page.

If applying through UCAS, you will need the following information:

  • University code: U65
  • UCAS code: 9L13

We continue to accept applications throughout the year, but please note that the equal consideration deadline is 15 January.

For full details on the application process, visit the Undergraduate application page or contact the UAL admissions team who can answer any specific questions that you may have regarding LCF's courses tailored for international students. This can include guidance for your portfolio, advice on the application process and fee advice. We offer a ‘drop-in’ facility for applicants who may be in London and wish to obtain further course and admissions information.

Entry requirements

Entry to this course is highly competitive: applicants are expected to achieve, or already have, the course entry requirements detailed below.

The standard minimum entry requirements for this course are:

  • A Level Passes at Grade C or Above Preferred subjects include Art, Design, Fashion, Media Studies, and Photography;
  • or Pass Foundation Diploma in Art and Design;
  • or Pass at BTEC Extended Diploma (preferred subjects) Art & Design, Fashion, Media Studies, and Photography;
  • or Pass at UAL Extended Diploma; or Access Diploma or ’64 tariff points from the Access to HE Diploma;
  • or 64 new UCAS tariff points (equivalent to 160 old UCAS tariff points) from a combination of the above qualifications or an equivalent full Level 3 qualification;
  • or equivalent EU or non-EU qualifications;
  • and Three GCSE passes at grade A-C.

Exceptionally, applicants who do not meet these course entry requirements may still be considered if the course team judges the application demonstrates additional strengths and alternative evidence. This might, for example, be demonstrated by: related academic or work experience; the quality of the personal statement; a strong academic or other professional reference; or a combination of these factors.

This course requires portfolio evidence and applicants will be expected to have a range of visual work showing research and the development of ideas through to a conclusion.

English language requirements

All classes are conducted in English. If English is not your first language you will be asked to provide evidence of your English language ability when you enrol.

The level required by the University for this course is IELTS 6.0 with a minimum of 5.5 in each skill.

Please visit the UAL Language Requirements page. Read carefully and look at the relevant documents.

Student selection criteria

What we look for

The course team seeks to recruit students who can demonstrate:

  • A current interest in and awareness of fashion and fashion styling
  • An enthusiasm for visual communication
  • The potential to develop styling and production skills

Portfolio and interview advice

For this course you will be required to upload a mini portfolio. Further instructions will be sent by the course administrator after application submission. International students should contact the International Office at  to find out about the portfolio application process.

For this course your portfolio should show evidence of: technical ability; understanding of balance, proportion and composition; understanding of visual communication principles; exploration and creativity; and technical knowledge.

Applicants will be expected to demonstrate the following at interview: an interest in styling; a cultural awareness of fashion and fashion media; visual awareness evidenced through portfolio work; a motivation for working in the industry; and a motivation to succeed on the course.

UAL Language Development

We offer English Language Development for Overseas students. See how we can help you with your studies.

Learn More

What happens next

All application forms, personal statements and references are read and considered by the course team against the selection criteria listed in the Entry requirements and What we look for sections.

Depending on the quality of your application, you may be asked to submit a number of images of your work. If the course team wish to consider your application further, you will be invited to an interview where the course team will look at your portfolio and ask you questions to establish your suitability for the course. If you are successful at the interview stage you will be offered a place. Applicants are not guaranteed to be asked to upload work, nor are they guaranteed an interview.

Please note that if you are unable to attend the College may not be able to re-schedule.

If you applied through UCAS the result of your application will be communicated to you via UCAS through ucastrack. You will only receive further communication directly from the College if your application has been successful. This will be in the form of a full offer pack including details of accommodation, fees, and other important information.

Deferred entry

Deferred entry is normally only allowed in exceptional circumstances. Please contact us before you submit your application if you are considering applying for deferred entry.

Interview week

Applicants on some courses may be invited to attend an Interview. Further details will be sent to you with your interview letter, confirming location and date. International applicants should contact the Admission Office by emailing  about portfolio requirements (if applicable), interview times and dates.

Potential changes to course structure

Please note: the information outlined is an indicative structure of the course. Whilst we will aim to deliver the course as described on this page, there may be situations where it is desirable or necessary for the University to make changes in course provision, for example because of regulatory requirements or operational efficiencies, before or after enrolment. If this occurs, we will communicate all major changes to all applicants and students who have either applied or enrolled on the course. Please note that due to staff research agreements or availability, not all of the optional modules listed may be available every year. In addition, the provision of course options which depend upon the availability of specialist teaching, or on a placement at another institution, cannot be guaranteed. Please check this element of the course with the course team before making a decision to apply.

Webpage updates

We will update this webpage from time to time with new information as it becomes available. In the meantime, if you have any questions, please use the register your interest form above.

Fees & Funding

Home / EU fee


This applies for the 2018/19 academic year.

Tuition fees for undergraduate degree courses have been set at £9,250 per year for full-time study. This applies from the 2017/18 academic year, subject to changes in the law. Tuition fees may increase in future years for new and continuing students, in line with an inflationary amount determined by government. Please visit our Undergraduate tuition fees page for more information.

International fee


This applies for the 2018/19 academic year.

Additional costs

In addition to tuition fees you are very likely to incur additional costs such as travel expenses and the cost of materials. Please read the information on our additional costs page.


Find out about the accommodation options available and how much they will cost.

Fees & funding calculator

Find out how much your studies may cost and what financial help may be available.

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Scholarships and awards

There are a number of scholarships and awards available to students on this course. Use our search tool to find out more information.

Fees and funding calculator

Find out how much your studies may cost and what financial help may be available.

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Study level Any Foundation Undergraduate Postgraduate

Tuition fee status Any tuition fee status Home / EU International

UAL Colleges All UAL Colleges Camberwell College of Arts Central Saint Martins Chelsea College of Arts London College of Communication London College of Fashion Wimbledon College of Arts

Subject area All subject areas 3D design and product design Accessories, footwear and jewellery Animation, interactive, film and sound Architecture and spatial design Business & management, and science Communication and graphic design Curation and culture Fashion design Fine art Illustration Journalism, PR, media and publishing Photography Textiles and materials Theatre, screen and performance design

Careers and alumni

All of our undergraduate courses offer career development, so that you become a creative thinker, making effective contributions to your relevant sector of the fashion industry.

LCF offers students the opportunity to develop Personal and Professional Development (PPD) skills while studying through:

  • An on-course work experience or placement year. Please note, this is not available on every course; please see the Course Details section for information about work placement opportunities.
  • Access to to speaker programmes and events featuring alumni and industry.
  • Access to careers activities, such as CV clinics and one-to-one advice sessions.
  • Access to a graduate careers service
  • Access to a live jobsboard for all years.
  • Advice on setting up your own brand or company.

Graduates who wish to continue their education at postgraduate level can progress to suitable courses within the College, the University or elsewhere.

Career paths

Many graduates prefer to seek employment as soon as they have completed their undergraduate studies. Recent graduates from the Foundation Degree in Styling and Photography that preceded this course, and who have made their mark on the fashion industry, include Anna Trevelyan, Anders Sølvesten Thompson and Ella Dror. Melodie Roulaud, who graduated in 2012, has had her moving image film published by 125 Magazine online and Lina Synch has gone on to set up her own business Fashion Concierge.

LCF Careers

LCF Careers provides a comprehensive career management service supporting our students to become informed and self-reliant individuals able to plan and manage their own careers.

LCF Alumni

Many of our alumni are now impressive, leading, industry figures. Find out about them and what the benefits of being an LCF alumni are.

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